White Noise, A Cautionary Musical

“We hate them, they hate us, they hate us, we hate them and…” will prove a poignant ellipsis for any open ears that find their last-minute way into Chicago’s new rock musical of illuminating controversy, White Noise, A Cautionary Musical.

Selling out stirs the young, attractive, highly marketable white supremacists into the melting pot of talent under the wing of strictly business Max (Douglas Sills) who around the same time transforms an ivy league educated team of two into a more money-making, rap gangster duo. The former, after Max’s right hand man Jake adjusts the trio’s fascist lyrics into main stream language, becomes pop star band White Noise and the later becomes the Blood Brothers.
Through these parallel roads of fame and monetary success we see the “Brothers,” Dion (Wallace Smith) and Tylers’ (Rodney Hicks) frustration for continuing the trend at hand to get the crowds while fuhrer following sisters Eden (Emily Padgett) and Eva (Mackenzie Mauzy) adjust in their own ways while one remains paired with an apathetic animosity embodied by her lover Duke (Patrick Murney). As Jake attempts reason with Eden we hear the disconcerting thoughts of one torn, “You only see the hate, but I see the hurt,” and even more head shaking is the unforgiving full throttle drive of Eva who will break for no one while hurling herself towards a name of lights which will no doubt explode as a short-lived sadistic star. “They’re going to buy me.”


Voices of impact are heard through devilishly appropriate song titles such as ‘W.T.F.’ (white trash fairy tale [a personal favorite]) “one day you’re on the bottom, the next day you’re on top.” Unsettling gestures fill the spun title ‘Mondays Suck’ and an ensemble fueled presence sets off the talent in ‘Showtime’ hit while the battle with a bang ensues during the ‘Master Race’; minds are bombarded by the reality set forth in the finale ‘I am America.’

This show is presented by Whoopi Goldberg, always a name I love to follow, and I could not commend her more for her part in this effort. It is a story that needs to be heard.

To be brief, the only thing I regret about this show was not having seen it sooner.

Programs contain support for awareness from the Southern Poverty Law Center. Taken directly from my personal program, a quote at length from Director of SPLC’s Teaching Tolerance Maureen Costello follows:

Messages of hate aren’t confined to the radical fringes of our society. They can be encoded in popular music. They can be threaded into political rhetoric. They can be heard on talk radio–or in the schoolyard. We cannot outlaw hate speech–It’s protected by the First Amendment. But we can be aware of it… And, we can speak out against it. This groundbreaking production raises important issues about the power of hate speech in our culture and should inspire people of conscience to call out others who engage in it. We applaud the producers and the entire White Noise company for their great work.

White Noise ran a limited run in Chicago, IL

Click here to visit the White Noise website.

The only way any industry will ever change its tune is if we as a population stop buying what they, the industry in question, are selling. It is time to buy some truth.

White  Noise is the sound and sight that merits being royally received.

Tickets may be purchased directly through the Royal George Theatre which is located at 1641 N Halstead St. just north of North Avenue. Seats are limited and the show is scheduled to close tomorrow! Remaining show times include tonight (5/14/2011) at 8:00p.m. and tomorrow (5/1502011) at 2:00p.m. and 5:00p.m.

Visit www.whitenoisemusical.com for more information.

The Warriors

The Warriors in a few words: fearlessly brave and entertaingly honest.

Mary Hollis Inboden is a survivor of the 90’s West Side Middle School shooting.   The Warriors presents a hybrid of true personal testimony and creative narrative in a night of theatre that champions original productions.

Entering the space reveals mingling memories moving floor to roof from a multicolored patchwork rug to an ornately fashioned ceiling with dozens upon dozen of jewels as reflective as thought itself.   Join a cast of company favorites as haunting nostalgia forms framework of southern support lending hands to fellow victims reaching across isolating distances of damaging truth.

Juggling the self-imposed defense wall of distance and the need to reconnect drives the ambivalent journey leading Mary Hollis (playing herself) across the canvas of fellow survivors, sacred scrapbooks and shared messages of “victim art.”  JC  (Whit Nelson) remains at arms length from any approach towards the topic while a clutching Camille (Nicole Pellegrino) reveals this history as an integral part of all their characters, no matter how far one runs; this tender woman is seen gripping her necklace as if always grasping at an ongoing prayer.  Through the emotional arc lines of saving grace provide for relief from the awkward and stark reality such as with “a teaspoon of bullshit in a gallon of ice-cream.” Perspective resonates through the profiled and subtly round audience as Danny (Sarah Gitenstein) professes “You weren’t there!” working through her down days with the strong anchor of her partner Logan (Michael Peters).  Polarized play comes to a point with a stopping realization as Danny discovers neighbor Curtis (also played by Nicole Pellegrino) houses one of the school shooters, Mitchell Johnson.  Post googling the NPR interview new romantic interest Jeff (Wes Needham) nods Mary Hollis along her travel amidst fractured facts encouraging her to extend a simple Thanksgiving invitation.  Leading to a closing moment of gathered healing we all witness the power of support and importance of simple acts and small steps even if, at the time, all it means is simply clicking on the button marked “send.”

Send yourself to a great night of touching, witty testimonial located at 3408 N Sheffield, The Second Stage (formerly known as The Left Stage) housing this unique, progressive collaboration from a group that is clearly leading the way in live innovative storytelling, The New Colony. Purchase your passes at the door or in advance on their webpage for $25 and return anytime through the run of the show.  The show is at 7:30 and continues through April 17th.

While these heavy memories remain core the piece contains exquisite savvy and lighthearted delivery poignantly fashioned through Mary Hollis Inboden’s impeccable timing and endearing confession that will forever reside in the heart of these young survivors, The Warriors.